| The early 1980s was a rediscovery, if 
										not rebirth, of straight ahead jazz, especially 
										hard bop. There were several young lions 
										who went on to become standard bearers of 
										the art form through today. Wynton Marsalis 
										was one of those young lions and his quintet 
										during the 1980s was a prime example of 
										those who were swinging hard, flatting the 
										5th, raising the 13th, and most importantly 
										continuing the innovation in jazz that seemed 
										to peter out by the early. By the time our 
										opening track was recorded, jazz was back, 
										and Wynton was a force to be contended with. Our second set continues with another 
										young lion, Terence Blanchard, who followed 
										Wynton in Art Blakey's professional training 
										school known as The Jazz Messenger. Not 
										a stagnant restatement of the 1950s, here 
										is a cut from an album and jazz and poetry. 
										Sir Roland Hanna pays tribute to Bird on 
										the piano, an instrument not associated 
										with Bird, but one which belies the beauty 
										and depth of Bird's compositions. Rounding 
										out the set are The Clayton Brothers, true 
										keepers of the hard bop flame, and a hard 
										swinging quartet that leaves no rhythm unturned. Our third set revisits a couple of standards 
										with the lavish arrangements of Joe Sample, 
										and intriguing vocal work of Kitty Margolis. 
										Joey Defranceso reminds us that the blues 
										is a quintessential part of jazz, and that 
										mastery of the Hammond B-3 organ is no small 
										feat. Two of the coolest cats ever, Gerry Mulligan 
										and Chet Baker, illustrate how being cool 
										can be so hot, John Pizzarelli gives us 
										another vocal plus guitar treat, and Wynton 
										rounds out the hour with a cut from his 
										first solo album, reminding us that this 
										young lion has been a force on the scene 
										for over three decades now. When you stop and listen to jazz, that 
										is really listen, you hear the past, present, 
										and future all at once. Yesterday's young 
										lions are today's standard bearers and yesterday's 
										standard bearers are those respected and 
										departed influences that will remain vibrant 
										in the sounds of today and tomorrow. The 
										cycle continues with today's young lions 
										tutoring under the leadership of today's 
										leaders, who themselves never stop perfecting 
										their craft until the day of their earthly 
										departure. The creative arts are about story 
										telling; and what a story jazz has to tell.
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